Liubov Popova Essay

Liubov Popova completed The Pianist in 1915. Through a combination of styles Popova created this picture using Cubo-Futurism, a synthetic style movie developed in Russia somewhat 1910 (Boguslawski). She displays great poise by photograph a large stem base on an abstract pattern of bowing and straight planes.This is a representational composition of a pianist, piano keys, and sheet music. This painting, with its forward-looking essence, catches the collective application of art and engine room to the study of music. As an abstract painting of a pianist, Popova changed the natural features in decree to emphasize and reveal certain aspects of the performer.The euphony of visual elements in this painting gives persistency and flow that leads the eyes in a left-to-right direction. Fluid, curving lines cut through the angle shapes suggesting motion across the keyboard. The patterned, recurring alternations of tell organic and inorganic shapes create meter and time suggesting beat of the music the pianist is playing. The painting is composed to give a dynamic rhythm that gives it an uncharacteristic good-hearted of unity. The space between the lines, forming shadows, gives three dimensional mass to the painting.The arrangement of this painting gives an roughly up beat feeling just the cool colors create a calming effect and offer comfort. Further, swordplay arises from the relationship of black and white tones and the textually loaded surface she creates. One problem that arises small-arm trying to study this paintings emotional berth is that the emotional content of music is very(prenominal) subjective and the emotion created is dependent on the individual viewer.